How can the curatorial be understood as a series of articulations rather than a neutral act of presentation or showcasing? This course examines curatorial practice as an unstable set of translations between seeing and showing, writing and publishing, and speaking and saying. It approaches the curatorial as a discursive, embodied, material, and situated practice that operates from within and alongside global and local regimes of visibility and circulation, institutional conditioning, and inherited hegemonic interpretive systems. Attentive to contexts marked by political sectarianism and postwar fragmentation, the course engages residues and unresolved temporalities that persist alongside official narratives of modernism, nationalism, progress, reconciliation, and closure. Through writing exercises, critical readings, visits to collections and museums, and artists’ studio visits, the course treats writing and questioning as a central curatorial method, foregrounding montage, movement, and relationality, and encourages the development of curatorial positions that remain partial, provisional, and accountable to their conditions of production

Temps présentiel : 17.5 heures

Charge de travail étudiant : 75 heures

Méthode(s) d'évaluation : Projets

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